Especially for Voorlinden, Mark Manders (1968) creates an immersive experience, one that pushes the boundaries of sculpture, time, language, and identity. He invites you to enter his introspective world, full of materialised thoughts and emotions, and to reflect on the relationship between object, construction, and meaning. Many of his sculptures evoke archaeological finds, others modernism and 20th-century design, yet there is always something elusive about them. His silent, often fragmented figures and poetic objects form carefully constructed scenes, making it feel as though you are stepping into the artist’s mind.
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